"Chief Inspector Morse and Sergeant Lewis went into the house. Inside the sitting-room, the light was still switched on and a gas fire was burning. The dead body of a young man was lying on the carpet, in front of the fire. Near the body, on a small table, stood a bottle of sherry and a wine glass. The bottle was almost full, the glass was almost empty. Morse smelt the sherry which was left in the glass. 'This smells like cyanide, Lewis,' he said. 'This man was probably poisoned.' " -- Cover.

After leaving home to return to school, teenager Valerie Taylor had completely vanished, and the trail had gone cold. Until two years, three months and two days after her disappearance, somebody decides to supply some surprising new evidence.

Last Bus to Woodstock is the novel that began Colin Dexter's phenomenally successful Inspector Morse series. 'Do you think I'm wasting your time, Lewis?' Lewis was nobody's fool and was a man of some honesty and integrity. 'Yes, sir.' An engaging smile crept across Morse's mouth. He thought they could get on well together . . .' The death of Sylvia Kaye figured dramatically in Thursday afternoon's edition of the Oxford Mail. By Friday evening Inspector Morse had informed the nation that the police were looking for a dangerous man – facing charges of wilful murder, sexual assault and rape. But as the obvious leads fade into twilight and darkness, Morse becomes more and more convinced that passion holds the key . . . Last Bus to Woodstock is followed by the second Inspector Morse book, Last Seen Wearing.

Worrying about their sixteen-year-old son Adam in the wake of a friend's suicide, Tia and Mike Baye install an activity monitor on their son's computer and are alarmed to learn that the suicide victim's mother believes Adam may have been involved. Reprint.

When a member of a wealthy cult, the House of the Sacred Flame, dies "accidentally" after drinking the ritual wine during a ceremony, Inspector Roderick Alleyn must discover who dosed the wine with the fatal prussic acid. Reprint.

'A fantasia of history and myth ... a strange and original work of art' The New York Times Book Review Described by John Steinbeck as 'the story of my country and the story of me', East of Eden is an epic, engrossing family saga. 'There is only one book to a man' Steinbeck wrote of East of Eden. Set in the rich farmland of the Salinas Valley, California, this powerful, often brutal novel, follows the interwined destinies of two families - the Trasks and the Hamiltons - whose generations hopelessly re-enact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Here Steinbeck created some of his most memorable characters and explored his most enduring themes: the mystery of indentity; the inexplicability of love, and the murderous consequences of love's absence.

"Loveday Cardew prefers books to people. If you look closely, you might glimpse the first lines of the novels she loves most tattooed on her skin. But there are things she'll never show you. Fifteen years ago Loveday lost all she knew and loved in one unspeakable night. Now, she finds refuge in the unique little York bookshop where she works. Everything is about to change for Loveday. Someone knows about her past. Someone is trying to send her a message. And she can't hide any longer."--

In her first book, Never a Hero to Me, Tracy Black told the horrific story of how her father, a respected Army man, was in fact a heartless paedophile who convinced Tracy that her mother's health was completely dependent on her willingness to be abused. In her new book, Tracy continues her shocking story by telling how her mother closed her eyes to the cruelty, treating her little girl with cold indifference. Heartbreakingly Tracy traded her innocence for the love of her mother - love which was never given, no matter how much she suffered. As Tracy approached adulthood, she risked being trapped in damaging sexual relationships. But after years of struggle she found the courage to break out of her past and turn her life around.

A murder-for-hire goes wrong in this thriller by “one of the most consistently entertaining, insightful crime writers working today” (Gillian Flynn). After Alan Langford’s charred remains were found in his burnt-out Jaguar, his abused, long-suffering wife, Donna, was found guilty of conspiracy to commit murder and sentenced to ten years at Wakefield Prison. It was worth the time. But shortly before her release, Donna receives a nasty shock: an anonymous letter containing a recent photo of her husband—the man she despised and feared, the man she paid to have killed, the man she’s now begging London inspector Tom Thorne to find. Even for a seasoned DI like Thorne, this is a first: tracking a man who’s come back from the dead. But when Donna’s daughter suddenly disappears, Thorne finds himself following two trails of revenge and double cross. And they’re both leading into the menacing shadow of a killer who wants the case buried for good. With his multiple award-winning series, “Mark Billingham has brought a rare and welcome blend of humanity, dimension, and excitement to the genre” (George Pelecanos). From the Dead is not only “a good crime story, but . . . [a] novel . . .about the complexities and pitfalls of love” (The Washington Post). “Engrossing . . . chillingly clever.” —Publishers Weekly “Mark Billingham is one of my favorite new writers.” —Harlan Coben “Tom Thorne is a wonderful creation. Rush to read these books.” —Karin Slaughter, New York Times–bestselling author

When a plumber discovers the remains of a murdered girl and various dark religious objects in the cellar of a client's house, Temperance Brennan is called in to investigate the case. Reprint.